Good Article. Probably the only Bhutto left alive who has something useful to say.
f recent Bollywood films are any indication, it is fair to say that India’s film industry is obsessed with Pakistan. Obsessed. Like standing outside your apartment and trying to peek through your windows at night with binoculars obsessed.
If the films were smarter or more daring, Pakistan might be flattered. Instead, we are beginning to be mildly confused by all the attention.
Even though our common neighbour China has taken – without too much of a struggle and aided by a helpful press blackout in India – 38,000 sq km of Indian land in Ladakh, on which they are building homes and bridges, you won’t find any Bollywood films with Chinese villains or bad guys.
No, all the nasties in Indian cinema are Pakistanis, usually wearing military uniforms, and always Muslim.
Bollywood has always reflected Indian political trends; the films of the 1950s mirrored the optimism and romance of the newly independent country, the 1970s hero was a proud but disenfranchised man fighting against the powerful and corrupt. In the 1990s, there were endless films about neo-liberal yuppies who worked in Dubai, danced in London discos and drove shiny Mercedes. Since Narendra Modi and his rightwing party, the Bharatiya Janata Party or BJP, came to power nearly nine years ago, Bollywood has readily embraced his menacing politics.
In 2018, the starlet Alia Bhatt headlined Raazi, a film about a woman who marries a Pakistani army officer in order to spy on the country during the 1971 war with India. In 2019, Bollywood released Uri, a military flick about Indian special forces launching a “surgical strike” on Pakistan after a supposed terror attack. Though Uri was based on a real incident that nearly brought two nuclear-armed states to war, it played fast and loose with the facts.
All this is especially unpleasant as Pakistanis have traditionally been enthusiastic audiences for Bollywood – the industry brought us songs and fun and the profound knowledge that our neighbours look and live just like us, demonstrating the incredible power of culture done right.
www.theguardian.com
f recent Bollywood films are any indication, it is fair to say that India’s film industry is obsessed with Pakistan. Obsessed. Like standing outside your apartment and trying to peek through your windows at night with binoculars obsessed.
If the films were smarter or more daring, Pakistan might be flattered. Instead, we are beginning to be mildly confused by all the attention.
Even though our common neighbour China has taken – without too much of a struggle and aided by a helpful press blackout in India – 38,000 sq km of Indian land in Ladakh, on which they are building homes and bridges, you won’t find any Bollywood films with Chinese villains or bad guys.
No, all the nasties in Indian cinema are Pakistanis, usually wearing military uniforms, and always Muslim.
Bollywood has always reflected Indian political trends; the films of the 1950s mirrored the optimism and romance of the newly independent country, the 1970s hero was a proud but disenfranchised man fighting against the powerful and corrupt. In the 1990s, there were endless films about neo-liberal yuppies who worked in Dubai, danced in London discos and drove shiny Mercedes. Since Narendra Modi and his rightwing party, the Bharatiya Janata Party or BJP, came to power nearly nine years ago, Bollywood has readily embraced his menacing politics.
In 2018, the starlet Alia Bhatt headlined Raazi, a film about a woman who marries a Pakistani army officer in order to spy on the country during the 1971 war with India. In 2019, Bollywood released Uri, a military flick about Indian special forces launching a “surgical strike” on Pakistan after a supposed terror attack. Though Uri was based on a real incident that nearly brought two nuclear-armed states to war, it played fast and loose with the facts.
All this is especially unpleasant as Pakistanis have traditionally been enthusiastic audiences for Bollywood – the industry brought us songs and fun and the profound knowledge that our neighbours look and live just like us, demonstrating the incredible power of culture done right.
Bollywood is obsessed with Pakistan. We’d be flattered if it weren’t so nasty
Try as the industry might, Modi’s quasi-fascist politics cannot be set to jaunty music and helicopter stunts
